<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-793585614507471931</id><updated>2011-04-21T17:37:00.809-07:00</updated><title type='text'>Reich und Schön English Programme</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://field-reichschoenengpro.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/793585614507471931/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://field-reichschoenengpro.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>FIELD</name><uri>http://www.blogger.com/profile/17772288205740600873</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-793585614507471931.post-7912724843779572378</id><published>2008-01-26T07:24:00.000-08:00</published><updated>2008-09-30T03:51:29.307-07:00</updated><title type='text'></title><content type='html'>&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0); font-weight: bold;font-family:verdana;" &gt;PLEASE LEAVE YOUR RICH AND BEAUTIFUL FRIENDS OUTSIDE&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-weight: bold;"&gt;  27 September - 24 November 2007&lt;br /&gt;&lt;/span&gt;(group exhibition)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_HovYIES6P2M/SOIBrN-S5KI/AAAAAAAAA6c/k0YZO3aO8_o/s1600-h/RS_Einlaka_Bild.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 287px;" src="http://3.bp.blogspot.com/_HovYIES6P2M/SOIBrN-S5KI/AAAAAAAAA6c/k0YZO3aO8_o/s400/RS_Einlaka_Bild.jpg" alt="" id="BLOGGER_PHOTO_ID_5251761957464368290" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;The opening exhibition &lt;span style="color: rgb(204, 0, 0); font-style: italic;"&gt;Please Leave your Rich and Beautiful Friends Outside&lt;/span&gt; is a programmatic group show introducing the working concept of FIELD. The thematic focus of this curated project space on &lt;span style="color: rgb(204, 0, 0);"&gt;“human bodies” &lt;/span&gt;is exemplified by eleven international artists working in various media. Their conceptual and dialogical approaches extend the boundaries of cognitive and sensory perception and transcend limitations of media and subject matter.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);font-family:verdana;" &gt;PROGRAMME&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;During the opening weekend of Art Forum Berlin, FIELD artist &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;a href="http://field-lynnpook.blogspot.com/"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;Lynn Pook&lt;/span&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt; will connect visitors to her &lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;audio-tactile installation&lt;/span&gt; &lt;/span&gt;&lt;span style="font-style: italic;"&gt;À fleur de peau&lt;/span&gt;, which will certainly catapult some people out of their ideas about what art can be and which senses it addresses.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Saturday 29 September 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;DISCOURSE LAB&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;The first &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span style="color: rgb(204, 0, 0);font-family:verdana;" &gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;a style="color: rgb(204, 0, 0);" href="http://field-concept.blogspot.com/"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;discourse lab&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt; will bring together various academics and practitioners under the heading of &lt;span style="font-style: italic; color: rgb(204, 0, 0);"&gt;Decelerating the Attention&lt;/span&gt; to examine current artistic structures and mechanisms in a time of increasing acceleration. In search of reflection, exact observation and personal debate.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;Thursday 15 November 2007, 7 pm&lt;br /&gt;Admission: free&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Participants:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;Dr. Eduard Beaucamp&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Author and journalist, former editor of the features section of the Frankfurter Allgemeine Zeitung  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Sabine Ofenbach&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Critic, publishing director of Texte zur Kunst&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Christoph Tannert&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);font-family:verdana;" &gt;&lt;span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;a href="http://www.mip.at/de/autoren/217-content.html"&gt;Curator, director of the Künstlerhaus Bethanien&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;WORKSHOPS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-style: italic; color: rgb(204, 0, 0);"&gt;F.M. Alexander’s Discoveries&lt;/span&gt;: an introductory &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;a style="color: rgb(204, 0, 0); font-family: verdana;" href="http://field-concept.blogspot.com/"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;workshop for adults&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt; on the &lt;span style="font-style: italic; color: rgb(0, 0, 0);"&gt;Alexander Technique&lt;/span&gt; with &lt;span style="color: rgb(204, 0, 0);"&gt;Heike Sheratte&lt;/span&gt;. This method of postural optimisation is based on the conviction of Frederick Matthias Alexander (1869 – 1955) that the human being is an organism in which all mental, emotional and physical processes are inseparably related. Alexander coined the term “the use of the self” for the everyday employment of our organism. There are many factors in human life – particularly stress, haste and the pressure to succeed – that can interfere with the harmonious functioning of the organism. This is shown in unfavourable, automatic patterns of movement and behaviour. Every one of us develops habits which feel familiar and therefore right, but which limit our freedom. The Alexander Technique provides ways of decelerating these stereotyped reactions to reach a deeper perception of our physical processes. Habits and patterns are recognised by turning the attention to them, and this opens up new possibilities of movement and enables each individual to chose consciously between different possible reactions. Releasing old habits leads to new freedoms in the entire physical and mental spectrum. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Thursday 25 October 2007, 7 pm to 8:30 pm&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;Admission: 12 €, reduced admission: 8 €&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;For each of its exhibitions FIELD plans to organise a tour or workshop for children and young people in collaboration with the &lt;span style="color: rgb(204, 0, 0);"&gt;Weinmeisterhaus&lt;/span&gt; youth centre in Berlin-Mitte and the non-profit youth art association &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;a style="color: rgb(204, 0, 0); font-family: verdana;" href="http://www.jungemeister.net/"&gt;JungeMeister.net – Kunstnetzwerk Berlin&lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;. At these events young people will be introduced to the artworks on exhibition and their related subject matter through practice-related play and creativity directed by the artists themselves. The first workshops will be led by&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);font-family:verdana;" &gt; &lt;a href="http://field-lynnpook.blogspot.com/"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;Lynn Pook&lt;/span&gt;&lt;/a&gt; and &lt;a href="http://field-julienclauss.blogspot.com/"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;Julien Clauss&lt;/span&gt;&lt;/a&gt;, and by &lt;a href="http://field-christlmudrak.blogspot.com/"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;Christl Mudrak&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Planned for October / November 2007&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;FILM SCREENINGS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;The matching film to Please Leave your Rich and Beautiful Friends Outside is &lt;span style="color: rgb(204, 0, 0);"&gt;Robert Altman’s &lt;/span&gt;classic &lt;span style="font-style: italic; color: rgb(204, 0, 0);"&gt;Prêt-à-Porter&lt;/span&gt;, made in 1994. It satirises the fast-moving fashion world, the mad rush for the latest things and the obsessions of the rich and famous.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;Thursday 11 &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;October 2007&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;, 07:30 pm&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;Admission: free&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;The second screening will be of &lt;span style="font-style: italic; color: rgb(204, 0, 0);"&gt;Miracle in Milan&lt;/span&gt;, made in 1951 by &lt;span style="color: rgb(204, 0, 0);"&gt;Vittorio De Sica&lt;/span&gt;. This film is a masterpiece of Italian neo-realism set in an orphanage and a slum. The poor struggle in vain against the takeover of their neighbourhood by an oil magnate. Towards the end there are omens and miracles of remarkable symbolic strength. Response to the film ranged from “Catholic, comforting” to “a manifesto for the overthrow of society on communist lines.”&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Thursday 1 November 2007, 07:30 pm&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;Admission: free&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;READING&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;In his most famous book &lt;span style="font-style: italic; color: rgb(204, 0, 0);"&gt;The Discovery of Slowness&lt;/span&gt;, &lt;span style="color: rgb(204, 0, 0);"&gt;Sten Nadolny&lt;/span&gt; tells the story of the life of John Franklin, the English seafarer and explorer of the North Pole (1886 - 1847), in a subtle examination of time. Slowness becomes an art that gives meaning to the rhythm of life. A reduced tempo means orientation, the capacity for enjoyment, a sense of responsibility and respect. The author discovers slowness as a human principle. Nadolny was born in 1942 in Zehdenick, Brandenburg. He caused a sensation in 1980 when he read a chapter of this novel to win the Ingeborg Bachmann Prize in Klagenfurt and then shared out the prize money with his participating fellow colleagues.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Reading by: Julia Schleipfer (art historian, actress, announcer)&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Thursday 18 October 2007, 7:30 pm&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;Admission: 5 €, reduced admission: 2 €&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a style="color: rgb(204, 0, 0);" href="http://www.field-berlin.com/"&gt;-&gt; Home&lt;/a&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/793585614507471931-7912724843779572378?l=field-reichschoenengpro.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://field-reichschoenengpro.blogspot.com/feeds/7912724843779572378/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=793585614507471931&amp;postID=7912724843779572378' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/793585614507471931/posts/default/7912724843779572378'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/793585614507471931/posts/default/7912724843779572378'/><link rel='alternate' type='text/html' href='http://field-reichschoenengpro.blogspot.com/2008/01/please-leave-your-rich-and-beautiful.html' title=''/><author><name>FIELD</name><uri>http://www.blogger.com/profile/17772288205740600873</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_HovYIES6P2M/SOIBrN-S5KI/AAAAAAAAA6c/k0YZO3aO8_o/s72-c/RS_Einlaka_Bild.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
